![]() Once you have the information you need, if you're interested in selling your Fender, you can use Reverb to get it in front of the largest audience of musicians in the world by clicking on this link. Instead, the best approach to dating a Fender is to combine indicators from the design of the instrument, the dates found on the neck and body, along with the serial number. This also means that various parts used on a particular guitar may have come from different points in time, so no single number can absolutely define when the instrument was built. Features like bolt-on necks and pickups wired into the pickguard all helped the Fender factory churn out guitar after guitar, day after day. His guitars were built en masse by an entire factory, not a single luthier toiling over one instrument at a time. ![]() Like Henry Ford, part of Leo Fender's genius was in optimizing the company's production efficiency. The model was also played by Mike Bloomfield with the Group in 1964, and both original and longer Duo-Sonic II models were hoisted by Rory Gallagher, Walter Becker, David Byrne, Liz Phair and Dweezil Zappa.The most important thing to keep in mind when dating a Fender is the highly modular nature of the designs. ![]() Jimi Hendrix was photographed playing two different late-’50s or early ’60s Duo Sonics, in Desert Sand and sunburst, respectively, while backing both Curtis Knight and the Isley Brothers. Underneath those plastic pickup covers lurk single-coil pickups that are similar to Stratocaster pickups of the era, but with flush pole pieces.ĭespite its diminutive status, the Duo-Sonic racked up quite a roster of pro players over the years. In addition, the model’s toggle-style pickup selector was swapped for two slider switches, one above each pickup, as found on the Mustang. The Duo-Sonic II also gained the option of a somewhat longer 24-inch scale length, although 22.5-inch versions remained available for a few years. Jimi Hendrix was photographed playing two different late-’50s or early ’60s Duo Sonics, in Desert Sand and sunburst, respectively, while backing both Curtis Knight and the Isley BrothersĪs a result, many such models from the mid ’60s and after are even heavier than their larger-bodied, 25.5-inch-scale siblings. In later years, particularly when the Duo-Sonic II arrived in late ’64, Fender switched to poplar for most of these, including the Mustangs that would join them. Like Fender’s other notable guitars of the period, early Duo-Sonics had bodies made of ash and alder. A sunburst finish was available around 1960, by which time a rosewood fretboard had been added and the aluminum pickguard switched out for white plastic. ![]() The ’50s maple neck with an integral maple fretboard is an unusual thing on any student-model Fender, and the white plastic pickup covers and anodized aluminum pickguard present some tastefully contrasting styling.įender offered the Duo-Sonic only in Desert Sand finish for its first few years of production. ![]() Fender 1957 Duo-Sonic in Desert Sand (Image credit: Tom Dumont)Įarly examples, like the ’57 displayed here, carry the features collectors and many players most like to see in these guitars. ![]()
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